Author: sureshzmc07

Legendary playback singer Asha Bhosle recently shared her concerns about modern relationships and the younger generation’s approach to marriage. During a conversation with spiritual leader Ravi Shankar, Asha questioned why so many young couples opt for divorce so quickly, without making enough effort to resolve their issues.
Recalling her own experience, Asha mentioned that despite facing difficulties with her husband, she never considered divorce.“Nowadays, I hear about couples sending divorce papers every month,” she said. Ravi Shankar agreed, noting that people today lack the perseverance and strength that Asha had. He added that tolerance levels have dropped, and attraction often outweighs love in modern relationships.
She further added, “I have spent most of my years in the film industry and seen many people but, earlier, they never used to take such drastic steps like the current generation does. I feel that the love between them ends very soon and they get bored with each other fast too. Maybe that’s one of the main reasons (for the apparent increase in divorces).”
Asha also reflected on women’s rights to choose whether or not to have children. She shared how she balanced her career as a playback singer with raising her three children, despite her busy schedule.

“Nowadays, women think childbearing is a burden. It’s perhaps a reality in the lower strata of society. But even the middle and higher class. I started working as a playback singer at the age of 10. During this time, I had three children, raised them, married them off and now have grandchildren. I executed all the responsibilities successfully and single-handedly, without my husband. I did all this when I was a busy professional, working day and night. Yet, I looked after my children, their studies,” she said.
At 16, Asha Bhosle eloped with 31-year-old Ganpatrao Bhosle, her elder sister’s secretary, defying her family’s wishes to marry him. The couple had three children before divorcing in 1960. Later, in 1980, she married music director-actor RD Burman, and they stayed together until his passing in 1994.

Ravi Shankar praised her, saying that she has set a high standard for others to follow. “That’s because they are not familiar with your life. You have established a high standard. You are an ideal.”

Anupama notices Toshu and Pakhi arrive at Asha Bhawan, which catches everyone’s attention. Dolly remarks that, thankfully, they did not behave as carelessly as Toshu and Pakhi. Dimple adds that if they had, they would face the same repercussions. Toshu replies by enabling others to tease, ridicule, and taunt them. Pakhi states unequivocally their intention to stay.Kinjal cynically asks if they’ve finally come to their senses.
Pakhi acknowledges that they’re fatigued and numb. Babu Ji, Bala, and Indra agree that Anupama will determine whether they can stay. Toshu and Pakhi appeal, arguing that they have changed, but Kinjal says the decision is up to Anupama.
Toshu begs Kinjal to let him stay and urges Pari to support him, but she refuses, claiming there is calm at home without him. Pakhi encourages Ishu to speak out, but he rejects, leaving the decision to Anupama. Toshu then turns to Dimple, who claims it is not her residence. Baa asks Toshu and Pakhi whether they have realised their mistakes, and they admit they have. Baa lets them in, but Anupama stops them.
Anupama permits Toshu and Pakhi to enter under certain conditions. She asks that they fold their hands and apologise to everyone in Asha Bhawan. If pardoned, they may stay, but they must obey all rules, assist others, respect everyone, and contribute to household expenditures. If they agree to these terms, they may stay.
Toshu and Pakhi apologise and offer to help. However, Anupama begs them to go, explaining that it was a test to see if they were truly remorseful and willing to let go of their arrogance. She shuts the door, making them upset.
Dolly enquires whether Anupama’s heart has turned to stone, to which the latter responds that it has, after being broken so many times. Following their urgent pleas, Anupama finally opens the door, allowing them to stay but telling them to leave their attitude outside. Toshu and Pakhi apologise again, and Anupama finally allows them in.
Anuj consoles Anupama as she laments about Pakhi and Toshu, believing they will never change. He brightens the mood with candy and assures her of his devotion, despite her previous reservations. Meanwhile, Pakhi and Toshu agree to put up with Anupama’s strictness for now. Anupama, noticing their negative mood, rejects their reasons and returns them to work.
Hasmuk asks Anupama to protect Leela, Dimple, and Kinjal’s jewellery, but she declines since she does not want the responsibility. Despite her refusal, Hasmuk persisted. Toshu keeps an eye on Anupama while she locks the jewellery up in a trunk. Sagar helps her lift the trunk while secretly planning to reveal the truth about his relationship with Meenu.

Later, Mahi informs Anupama that Ishani and Ansh refuse to play with her, even hitting her. Ansh explains how Mahi snatched their ball despite their requests. Pari explains that Dimple ordered them not to play with Mahi because she is now part of Asha Bhawan. Anupama is furious and scolds Dimple for manipulating the children. Anuj observes this and recognises that Aadhya has been raised well and is not like other children.

NEW DELHI: The winners of the IIMCAA Awards 2024, selected by the eminent jury of Indian Institute of Mass Communication Alumni Association (IIMCAA), were announced and felicitated on Sunday at a glittering ceremony held in the national capital. Anup Pandey won the coveted ‘Journalist of the Year’ trophy with a cash prize of Rs 1.5 lakh while Shagun Kapil won the “Agriculture Reporter of the Year” award and walked away with Rs 1 lakh.Other winners were honoured with cash prizes of Rs 50,000 in addition to trophies and certificates.
Rajat Mishra in the ‘Publishing Reporting’ category, Abhinav Goel in ‘Broadcast Reporting’, Surabhi Singh in ‘Producer’, Muhammad Sabith U M in ‘Publishing Reporting’ in Indian Languages’, Shatarupa Samantaraya in ‘Broadcast Reporting in Indian Languages’, Saransh Jain in ‘Advertising’, Shillpi A Singh in ‘PR’, Ofactor in ‘Ad Agency’, and Kaizzen in ‘PR Agency’ received the winners’ award.

The ‘Jury Special Mention’ category celebrated the entries of applicants who narrowly missed the top spot. Awardees included Abhishek Angad, Ritwika Mitra, Ashutosh Mishra, Manish Mishra, and Nidhi Tiwari in the ‘Journalist of the Year’ category, Diwash Gahatraj in Agriculture Reporting, Parimal Kumar and Vishnukant Tiwari in Broadcast Reporting, Rohan Kathpalia in Producer of the Year category, and Supriya Sundriyal and Nikhil Swami in the ‘PR’ category.
IIMCAA president Simrat Gulati presided over the function while executive president Gayatri Shrivastava hosted the award ceremony. Awards auditor Unni Rajen Shanker, convenor Vineet Handa, coordinator Puja Mishra, and general secretary Deeksha Saksena released a souvenir book featuring profiles and works of the award winners.

The event was attended by former Principal DG of PIB Kuldeep Singh Dhatwalia, ADG Raj Kumar, Spl. Commissioner of Delhi Govt Sushil Singh; MD of US-India Business Council Rahul Sharma and journalists Professor Govind Singh, Prasad Sanyal, Neelesh Misra, Rupa Jha, Aparna Dwivedi, Lola Nayar, Gyaneshwar, Nitin Pradhan, Rajesh Priyadarshi, Prabhash Jha, Alok Kumar, Priyadarshan, Anupam Srivastava, Sumit Awasthi, Manoj Malayanil, Pramod Chauhan, Mihir Ranjan, Manoj Roorkiwal, Harvir Singh, SP Singh, Shishir Sinha, Om Prakash, PR expert Samir Kapur, Harshendra Verdhan, marketing expert Shruti Jain, Kalyan Ranjan, Rohit Dubey, Sonia Sarin, and others were present. Most of the guests were part of the Jury who selected the winners.
IIMCAA AWARDS 2024 – LIST OF WINNERS
Journalist of the Year – Anup Pandey
Agriculture Reporter of the Year – Shagun Kapil
Reporter of the Year (Publishing) – Rajat Mishra
Reporter of the Year (Broadcast) – Abhinav Goel
Producer of the Year (Broadcast) – Surabhi Singh
Indian Language Reporter of the Year (Publishing) – Muhammad Sabith U M
Indian Language Reporter of the Year (Broadcast) – Shatarupa Samantaraya
Ad Person of the Year – Saransh Jain
PR Person of the Year – Shillpi A Singh
Ad Agency of the Year – Ofactor
PR Agency of the Year – Kaizzen
JURY SPECIAL MENTION
Journalist of the Year – Abhishek Angad
Journalist of the Year – Ritwika Mitra
Journalist of the Year – Ashutosh Mishra
Journalist of the Year – Manish Mishra
Journalist of the Year – Nidhi Tiwary
Agriculture Reporter of the Year – Diwash Gahatraj
Reporter of the Year (Broadcast) – Parimal Kumar
Reporter of the Year (Broadcast) – Vishnukant Tiwari
Producer of the Year (Broadcast) – Rohan Kathpalia
PR Person of the Year – Supriya Sundriyal
PR Person of the Year – Nikhil Swami

The issue of using polluting fuels is a pressing public health concern, particularly in many parts of India. Households in various regions rely on a variety of traditional fuels, including wood, crop residue, charcoal, animal dung, and coal, for cooking and heating purposes. Kerosene is often utilized for lighting as well. These practices create a consistently smoky indoor environment that significantly contributes to the burden of Acute Respiratory Infections (ARI), particularly in children.According to numerous studies, children residing in homes that utilize these polluting fuels are approximately 1.5 times more likely to experience symptoms associated with ARI, such as coughing, wheezing, and difficulty breathing. This is especially alarming when considering that children have underdeveloped respiratory systems and are more susceptible to the harmful effects of air pollution.
The combustion of these fuels produces smoke that contains harmful particulates and toxic gases, including carbon monoxide, nitrogen dioxide, and volatile organic compounds. These pollutants can irritate the respiratory tract and lead to increased susceptibility to infections. Furthermore, the practice of burning agricultural waste, such as crop residue post-harvest, exacerbates the situation. Not only does this contribute to outdoor air pollution, but it also leads to an even higher concentration of harmful substances in the home environment, thereby further increasing health risks for children.
The health implications of ARI in children are significant. It can lead to a cycle of illness, increased healthcare costs, and lost productivity for families. In severe cases, ARI can result in hospitalizations or even death. According to the World Health Organization, respiratory infections are among the leading causes of morbidity and mortality in children under five years of age.Given the alarming statistics and the health risks associated with indoor air pollution from traditional fuels, there is a critical need for intervention. Transitioning to cleaner energy sources, such as liquefied petroleum gas (LPG), biogas, or electric stoves, can drastically reduce the amount of harmful emissions produced during cooking and heating. Policies aimed at improving access to clean fuels, subsidizing alternative energy sources, and encouraging the adoption of improved cookstoves can yield substantial public health benefits. Additionally, improving ventilation in homes and raising awareness about the risks associated with burning polluting fuels are vital components in combating ARI.
Recurrent episodes of ARI predispose these children to COPD in their later age groups. COPD is the second commonest cause of death and although smoking is a common cause for COPD, India has the highest number of non-smokers COPD all over the world. The common cause for this non-smokers COPD is Recurrent ARI in childhood.

The reliance on traditional fuels not only poses significant health risks to children but also harms the overall quality of air and contributes to broader environmental issues. It is imperative for policymakers, communities, and health organizations to collaborate in implementing effective solutions that can mitigate these health risks. By focusing on promoting cleaner cooking and heating methods, improving indoor air quality, and boosting awareness, we can create a healthier environment for children and significantly improve their quality of life as well as health outcomes. In conclusion, addressing the use of polluting fuels in homes is not just about improving air quality; it is about safeguarding the health and future of the younger generation. Everyone has a role to play in this effort, from government institutions to local communities to individual families.
(Article Courtesy: Dr. Mahavir Modi, Consultant Pulmonologist, Ruby Hall Clinic Pune)

WWE superstars marrying each other is not a new thing. There have been several hugely successful stars who have married each other after finding love in WWE, such as Seth Rollins-Becky Lynch, Montez Ford-Bianca Belair, etc. Another couple of WWE superstars have married each other, amidst rumors of all sorts about one partner flying everywhere.

One half of the unique tag team of WWE “Pretty Deadly”, Kit Wilson has married another WWE Superstar Stevie Turner and shared it on social media platform ‘Instagram’, through a picture.The caption of the photo being “ Till death”, meaning he wants to be with Stevie until he dies, or death do them apart. The team of Pretty Deadly is an English duo of Kit Wilson and Elton Prince. The rumor was, that both are a “gay couple”, which has been quashed adequately. While Kit got married to Stevie, Elton, his tag partner, celebrated the birth of his daughter recently. Named “Poppy Faye Howley”, the baby girl was born on the 20th of September. Elton’s partner is NXT announcer Kelly Kincaid. So assumably, this month has been especially auspicious for Pretty Deadly, and we wish them all the luck going forward with their personal and professional lives.

Pretty Deadly are two time NXT Tag Team Champions. They have been out of action since WWE’s European Tour. In Belgium, Netherlands and Germany, Pretty Deadly shared the ring with DIY. While Kit has a bright future ahead of him, as a wrestler, his partner Stevie Turner is one of the assistants to Ava, who is the General Manager of NXT currently. The main roster career of Pretty Deadly is yet to fly off, as they have made some appearances on and off on SmackDown, but haven’t really made their mark in front of the WWE Universe, in the “Blue Brand”. The fans would hope to see them somewhere around the title picture and hopefully even win the WWE Tag Team Championship, in future.

NEW DELHI: Double Olympic medallist Manu Bhaker on Monday said that her mother and coach are her biggest inspirations in life, highlighting their strong role in shaping her shooting career.
Bhaker, who won two bronze medals at the Paris Olympics and became a household name in the country, credited her success to a strong upbringing by her mother.
Speaking at TOI Kanpur Dialogues, the 22-year-old said that her coach Jaspal Rana played a huge role in her Olympic success.
“If a strong woman is raising you, I think, there is no bigger influence than that — my mother. I get my confidence from my mother and my coach, Jaspal sir,” Manu said.
“He has been very strict but he has been the right mentor for me my entire life. Be it personal life, or social, and of course shooting, he’s the boss of it. So everything he has covered.
“If you look around every person has a story to tell and every person goes through some struggles. People have different methods to cope with difficult times in their lives. Every person goes through hard times in their lives, and good times in their lives as well and if you look around and actually talk to people about it you will get to know about their journey and take inspiration from it,” she added.

At the TOI Kanpur Dialogues Bhaker also said that she is in awe of ‘Sprint King’ Usain Bolt’s journey as an athlete.

“One book that I’ll highly recommend is Usain Bolt’s story. His story is too amazing. I liked his story very much as how he faced failures in his first Olympics and then going forward became world champion and the Olympic champion.
“He achieved everything in second Olympics, winning all the events. He was the champion athlete in the third and fourth Olympics again. His journey has been amazing. How he rose to bigger heights coming from a humble family background is truly inspirational,” she added.

NEW DELHI: Heather Knight, the captain of England’s women’s cricket team, has been reprimanded and handed a suspended fine of £1,000 ($1,300) after an old photograph surfaced on social media showing her in “blackface.”
Knight, who is preparing to lead England in the Women’s T20 World Cup in the UAE next month, expressed deep regret for her actions, which Cricket Discipline Commission adjudicator Tim O’Gorman labeled as “racist and discriminatory.”
O’Gorman noted that Knight had no racist or discriminatory intent when the photo was taken at a sports-themed fancy dress party in 2012, when Knight was 21 years old.
“I’m truly sorry for the mistake I made in 2012. It was wrong and I have long regretted it,” AFP quoted Knight saying in a statement.
“Back then, I simply was not as educated as to the implications and consequences of my actions as I have become since. There was no ill-intent meant.
“Whilst I can’t change the past, I am passionate and committed to using my platform to promote inclusivity across the game, ensuring under-represented groups are afforded the same opportunities and fulfilment within the game as I have.”
The image of Knight in blackface was initially posted on Facebook by another individual.
Knight promptly accepted the charges brought against her last month, demonstrated remorse, and apologized for her actions.
Her punishment also considered that she lacked education on the issues related to such a photo at the time and acknowledged her ongoing efforts to promote diversity and inclusion.
At a ‘sports stars’ themed party in 2012, Ms Knight appeared in a photo in fancy dress with blackface. This, I find, was racist and discriminatory conduct,” O’Gorman’s judgement said.
” (But) I find and accept that there was no racist or discriminatory intent in the blackface itself.
“It is accepted that Ms Knight did not herself post the photograph on any social media platform, has no power to delete the photo and has no power to control how it has been posted (or might be posted in future).
“I consider that it is inappropriate and unnecessary to require a further apology.”
In 2013, Knight’s teammate Danni Wyatt-Hodge faced reprimand for similar charges related to a blackface post on Instagram.
England and Wales Cricket Board chief executive Richard Gould acknowledged Knight’s recognition of her serious error in judgement from over ten years ago, stating she has rightly apologized.
“As a public figure and leader, Heather has worked tirelessly to foster a more inclusive and equitable future for cricket,” Gould added.
This incident highlights ongoing efforts within cricket to address and rectify past mistakes while promoting a diverse and inclusive environment for all.